Capital Wealth
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Review · Music · Investments/Risk

'Choosin' Texas' spent 24 weeks at No. 1, a record. Many people say they never heard it once.

Country and Latin music each stream about 120 billion times a year in the U.S. now. A record-breaking hit can live in a corner you never visit. So can a selloff.

By Sean Anees Saifi · Capital Wealth · Published Sunday, November 1, 2026 · Source: The Wall Street Journal Weekend, Saturday/Sunday, October 31 – November 1, 2026, whose market figures are the Friday, October 30 close (Review)
Key Points
24 weeks
at No. 1 on the Hot 100, a record, by the end of September
120 billion
yearly U.S. streams each for country and for Latin music by 2025
11 of 15
biggest U.S. markets where it was the top streamed song this summer
100 million
U.S. albums sold by Kenny Chesney, with no Hot 100 top-10 single
A sound engineer in headphones works a large mixing console in a recording studio while a guitarist plays in the live room behind the glass.
'Choosin' Texas' was the most streamed song in 11 of the 15 biggest U.S. markets this summer. Los Angeles and New York weren't among them.
In one line: A record hit many people never heard shows how little any one feed sees of the whole.

At the end of September, Ella Langley's 'Choosin' Texas' did something no song had done. It spent its 24th week at No. 1 on the Billboard Hot 100. That beat the 22 weeks of Mariah Carey's 'All I Want for Christmas Is You.' And a lot of people shrugged. Doja Cat said she'd never heard of Langley. Fortune went further and wrote that most U.S. music fans don't know her name.

The Journal's Elias Leight says the shrug is the story. Radio and TV used to make everyone hear the same hits. Now every phone serves up its own list, and no two people get the same songs. Leslie Fram, who runs the music consultancy Femco, says 'a multiweek No. 1 can pass people by.' In her view that's not the song failing. It's what culture looks like without one big megaphone.

The numbers behind it are big. In 2020, country music drew 67 billion streams in the U.S. and Latin drew 50.7 billion. By 2025 each was near 120 billion a year. Country stars no longer need to turn pop to get a hit. Morgan Wallen's 'Last Night' spent 16 weeks at No. 1. Zach Bryan played to more than 112,000 people at Michigan Stadium, the largest ticketed concert in U.S. history. Alan Jackson and Kenny Chesney never had a top-10 single, yet they've sold more than 84 million and 100 million U.S. albums.

Why hits last longer now

Streaming also changed the math. Thirty years ago a CD counted as one sale no matter how often you played it. Streaming counts every replay, so the hits stay on playlists and radio keeps playing them. No single had spent 40 weeks in the top 10 before 2020. Eight have since. Carey's song came out in 1994 and didn't reach No. 1 until 2019. Langley's hit wasn't the champion everywhere, either. Luminate found it topped 11 of the 15 biggest U.S. markets this summer. Los Angeles preferred Ariana Grande, and New York looped Olivia Rodrigo.

Our read

This is an Investments/Risk (IN04) story dressed up as a music story. The biggest hit of the year was invisible to a lot of smart people. Their feeds didn't show it, so for them it didn't exist. Portfolios work the same way. What you see in your own feed isn't the market. Friday showed the other side of that. The selling sat in the chip and AI names, one corner of the market, while other corners held up better. If your feed only shows you tech, Friday felt like the whole world. If it only shows you energy, you barely noticed. Both views were partial.

Here's the check. Open your biggest fund this week and pull up its top-10 holdings list. Count the names you couldn't describe to a friend. That count is your blind spot, and it's fine, so long as the fund is spread wide enough that no one corner can sink it. Then look at how much of your whole account sits in the names you do hear about every day. That's usually where the concentration hides. A review is where we lay the whole chart out, the hits you've heard and the ones you haven't.

What It Means For Your Portfolio

Hold. Count the names you don't know.

Your feed is a sample of the market, and the biggest moves can happen in a corner it never shows you.

General planning principles, not advice for anyone in particular. Check the top holdings of each fund you own, and how much of the whole account sits in the handful of names you hear about daily. Spread across corners so a bad week in one of them is a bruise rather than a break.

Spotify (SPOT) is named in the piece as the measure of streaming. It is not in any of our model books.

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