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Off Duty · Culture & Entertainment · M5

Thirteen New Shows on Seven Outlets This Fall, From a Friday the 13th Prequel to the FTX Drama

Pamela Voorhees gets a prequel, Carrie gets a modern high school and Sam Bankman-Fried gets a Netflix series. Thirteen premieres, seven outlets, and a subscription plan that rotates by month.

By Sean Anees Saifi · Capital Wealth · Published Sunday, September 27, 2026 · Source: The Wall Street Journal, September 26–27, 2026 weekend edition, whose market figures are the Friday, September 25 close (Off Duty)
Key Points
13
new shows on the Journal’s fall list, Oct. 1 to Dec. 3
7
services and networks you’d need to watch them all
7 / 5 / 1
premieres in October, November and December, by our count
Nov. 19
FTX drama on Netflix; Anthony Boyle plays Bankman-Fried
A dark living room lit only by the glow of a wall-mounted television, a magazine open on the low table beneath it.
Seven of the 13 premieres land in the first half of October. The subscriptions don’t have to.
In one line: Thirteen good reasons to stay in, spread across seven outlets — rotate the subscriptions by premiere month, and let the FTX drama double as a lesson in who actually holds your money.

Pamela Voorhees is getting her own show. Crystal Lake, a prequel to Friday the 13th arriving on Peacock Oct. 15, casts Linda Cardellini — fresh off an Emmy for DTF St. Louis — as Jason’s mother, the killer in the original film. It’s one of 13 new series the Journal’s Esther Zuckerman picks for the cold months, all landing between Oct. 1 and Dec. 3, alongside the returns of The Diplomat (Netflix, Oct. 15) and The Gilded Age (HBO, Nov. 1).

October is crowded. East of Eden (Netflix, Oct. 1), created by Zoe Kazan — whose grandfather Elia directed the 1955 film — recenters Steinbeck’s novel on Cathy Ames, played by Florence Pugh. War (HBO, Oct. 1), co-produced with Britain’s Sky, isn’t about war at all: it’s a bitter divorce — Dominic West as a wealthy tech guy, Sienna Miller as his actress wife — fought through their lawyers’ tactics. Mike Flanagan, now a leading Stephen King interpreter, moves Carrie to a modern high school (Amazon Prime Video, Oct. 7). Below (Netflix, Oct. 8) hands Josh Hartnett a fishing town and a sea monster; Cupertino (CBS, Oct. 8), from the creators of The Good Wife, puts a law firm on the side of people big tech has exploited; and VisionQuest (Disney+, Oct. 14) brings back Paul Bettany’s Vision and James Spader’s Ultron five years after WandaVision.

November’s money story

The one to circle is The Altruists (Netflix, Nov. 19): Anthony Boyle plays FTX founder Sam Bankman-Fried in a series about his downfall, with Julia Garner — who previously played Anna Delvey — as Caroline Ellison, who the paper notes committed fraud alongside him. Also in November: Karin Slaughter adapts her own bestseller The Good Daughter (Peacock, Nov. 12); 12 12 12 (Apple TV+, Nov. 13) runs a heist across 12 months of planning, 12 hours of execution and 12 days on the run; Dig (Peacock, Nov. 23) puts Amy Poehler back with Michael Schur, who created Parks and Recreation; and Blade Runner 2099 (Prime Video, Nov. 25) casts Michelle Yeoh as a replicant. December gets one entry: Dolly Alderton’s Pride and Prejudice (Netflix, Dec. 3), with Emma Corrin, Jack Lowden and Olivia Colman.

Our read

Count the bills, not the shows. By our tally the 13 sit on seven outlets — Netflix (NFLX) has four, Peacock (Comcast, CMCSA) three, Amazon (AMZN) Prime Video two, and HBO, CBS (Paramount Skydance, PSKY), Disney+ (DIS) and Apple TV+ (AAPL) one apiece — and the premieres bunch: seven in October, five in November, one in December. That’s an argument for rotating subscriptions by month rather than carrying them all year-round (M5, cash flow). Whatever the prices, the point is the habit. Subscribe for the month a show you want airs, cancel when it ends, and let the streamers compete for you again.

Two of the shows are homework. The Altruists is a custody lesson (M11): the paper calls Bankman-Fried a fraudster, and fraud at a platform often comes down to a custody question: who actually holds the assets in any account — brokerage, crypto platform, private fund — and what protects them if the operator fails. And War is an estate-planning episode in disguise: divorces are fought over how assets are titled, what’s separate, what’s joint and whether anyone signed a prenup. It’s more fun on HBO than at a conference table.

What It Means For Your Portfolio

Hold — rotate the subscriptions by premiere month

No portfolio action — the position is a household one: 13 shows on seven outlets is a subscription-rotation problem, and the FTX drama is the season’s best reminder to ask who holds your money.

General planning principles, not advice for anyone in particular. Streaming is the classic recurring line that grows without anyone deciding it should. List every service, note which month’s premieres you actually care about, and subscribe and cancel on that calendar; every service carried year-round is a choice, not a default.

The FTX story is worth a family conversation about custody: for every account you hold, know who holds the assets, whether they’re segregated from the operator’s own money and what protection applies if that operator fails. It’s a dull question right up until the day it isn’t.

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